Joseph, Look and See – Premiere Performance
I was finally able to get hold of a recording of the March 2010 Gallery of Living Art (GOLA) Performance of Joseph, Look and See by First Lutheran Church of Colorado Springs. Well, the singing was by First Lutheran, the music was by me. Well, I guess I did sing too…
Anyway, a few things of interest about this piece, the performance and some general observations about choral music…
One, it’s the first time I’ve had a Christmas/Nativity piece performed in the Spring (to my knowledge). That’s because the GOLA tells Jesus’ story from birth through Resurrection. It is my greatest honor and very humbling to have had one of my works performed in the setting that it was truly intended for: The J-man’s Crib. OK, just kidding. That was supposed to be witty or funny or something, but it just sort of fell flat… I meant “church,” and next time I should probably just stick to writing music and let someone else do the comedy… Unless, of course, you actually thought that was funny… So, this Roman Guard walks into a bar… But seriously, very humbling. I just hope it glorifies God the way it was intended to… And the J-man too.
Two, for some reason I can’t stand the abbreviation “GOLA,” yet I insist on using it here… Weird.
Three, I intentionally kept the range reasonable and the form easy so it would be accessible to a number of different church choirs. Since a lot of choirs aren’t nearly as large as ours, it’s always good to think about things like that. The funny thing is, I actually wrote it for a different choir… The director of that choir is very familiar with the types of harmonies that I used. Our choir was not used to such close harmonies at first, but soon embraced this different style of writing.
Four, I am never quite sure whether people actually like my music as much as they say they do or if they just feel obligated to say something because I am in the choir. I have decided that I do not like all of the attention, and therefore my next piece will be atonal… PLEASE LET ME KNOW WHAT YOU REALLY THINK OR I’LL JUST GO ON WRITING THIS STUFF! That goes for you readers too.
Five, while I am not a piano player, everyone thinks you are if you’re a composer… Especially if you write something that has piano in it. But let’s think about this for a minute. If I wrote something for for bassoon, would you assume that I am a bassoon player? How ’bout the piccolo? No way. Personally, I think not being a piano player brings a distinct quality to the flow of my music. There have been occasions when performing a choral piece when I have said to myself, “this choral piece sounds like it was written by a pianist.” An no, that is not intended as a compliment. What I mean is that choral music, in particular, has its own unique qualities and doesn’t always translate well from other styles of writing. Really, in my perfect world of choral bliss all choral music would be a cappella, all choirs would be perfectly balanced and I would never have to worry about levels of difficulty or other such silly restrictions… There certainly wouldn’t be any pianos around. Note: I actually love the piano, but lets face it… A temper-tuned instrument accompanying a naturally tuned ensemble is kind of a contradiction in terms, don’t you think? I firmly believe a lot of choirs are just afraid to sing without one and have not yet realized their full potential.
Six, speaking of pianos… I believe Satan invented Clavinova’s (or other such fake pianos). Come on, does anyone out there actually think those things sound even remotely real? In Heaven, God only listens to full-size grands. Pretty sure I read that somewhere…
Seven, I hate to say this, but I wish the recording of this performance had the piano amped a bit more……………….Well, if I’m gonna write for it, I at least want to hear it. Besides, I know it was played brilliantly, it’s just hard to hear. Probably just mic placement. Good thing the choir is awesome! Thanks guys!





