
Reflections is an
experimental study piece designed to help choirs develop a
better sense of space and resonance. Often what makes a
choir great is their ability to understand and produce what
is sometimes referred to as a "ceiling."
Tone
is the single most important element to any choir’s success,
and creating a ceiling for this sound is paramount to
achieving proper tone.
A ceiling is what makes music come alive.
It fills the hall and seems to dance above the choir in an
almost ethereal manner, like angels joining the chorus. It
can be hauntingly beautiful, and it can energize even the
fastest of fugues. This is not to be confused with a
deliberate attempt to create harmonics or sing overtones.
A
"ceiling"
is simply the effect of various vowel shapes on the
resonance of sonic energy naturally present in organized
polyphonic sound.
Reflections
concentrates on basic vowels and their shape as they pertain
to resonance and tone. As a choir experiments with their
sound, they will begin to recognize which vowel and vowel
shapes create this "energized" effect and really begin to
bring their performances to life. Free of consonant sounds
and text, a choir is better able to discern for themselves
choral literature’s musical properties… To act as a string
orchestra, if you will, immersing themselves in a more
homogeneous texture without words. The shape of a given
vowel, along with proper blending and balance, is what will
determine a choir’s ceiling. Blending and balance may not
always be ideal, but with proper technique, any choir can
begin to create a ceiling of their own. The overall effect
will increase as the individual elements improve.
The problem with choral music is,
ironically, often the text...
Choirs learn to depend on the text to
convey meaning and forget that the music itself is what
creates the aesthetic of choral literature.
Reading a Shakespeare sonnet and hearing
it set to music are entirely different experiences. One
medium may evoke a sigh, while the other, a tear. Music is
emotion and intimacy inspired by life and literature. It is
expressed with the colors, notes, and harmonies of a
composer’s mind. The sonic picture that a composer envisions
can only be painted when each of these elements comes
together. Therefore, it is essential to include tone
production as a major component of rehearsal and conscious
performance. Reflections provides a context for
specific aspects of tone generation, vowel shape, and
phrasing separated from a text, allowing the choir to
concentrate on and apply these specific concepts, perhaps
truly listening to their sound for the first time.
This piece gives a choir an opportunity to learn more
about the music itself and later apply that knowledge to
performance of the study piece. Unlike drills, this piece is
intended for performance, thus helping the choir come full
circle in their experience.
Difficulty: Intermediate
Original Print Size: 8.5 x 11
Approx. 2 minutes and 46 seconds in length
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